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Assistant Professor<\/p>\nAssistant Professor<\/p>\n
Nikoletta H\u00e1zas received her MA at the University of P\u00e9cs (PTE BTK, Hungarian- English) and her DEA at Paris VII. (Denis Diderot, History and s\u00e9miology of images and texts). She has pursued a jointly supervised postgraduate studies at the University EHESS in Paris (Department of Theory and History of Art) and at ELTE (Department of Aesthetics), where she got her PhD in 2004 (summa cum laude<\/em>). Her fields of research are modern and contemporary art history (especially conceptual art, media art, new media art); contemporary aesthetics and visual studies of contemporary culture (photography, publicities).<\/p>\n <\/p>\n During and after her studies she has received several fellowships from the French Government, the Hungarian Government (E\u00f6tv\u00f6s), the Hungarian Academy of Sciences (Sasakawa), the Soros Foundation and the K\u00e1llai Foundation.<\/p>\n Nikolatta participates in the research group of EHESS of the Paris CRAL<\/em> (Centre de recherche sur les arts et le langage) and in the research group Narratives in Culture<\/em> of the University of P\u00e9cs. She is editor of the \u201cL\u00e1thatatlan M\u00fazeum (Invisible Museum)\u201d book series at the L\u2019Harmattan publishing house and co-editor of the Enigma Review of Aesthetics (see special numbers on Raymond Roussel, the artistic frame, and on Marcel Duchamp).<\/p>\n <\/p>\n Visual Codes (BA)<\/p>\n Art and Media (BA)<\/p>\n Theories of Representation (MA)<\/p>\n Contemporary Culture, Contemporary Cultural Industry (MA)<\/p>\n Research Seminar on Theories of Photography (MA)<\/p>\n On Contemporary Art and Contemporary Aesthetics (MA)<\/p>\n Visuality and Identity (PhD)<\/p>\n Analysis of Texts (PhD)<\/p>\n <\/p>\n <\/p>\n <\/p>\n V\u00e1ltoz\u00f3 m\u0171v\u00e9szetfogalom (kort\u00e1rs frankofon m\u0171v\u00e9szetelm\u00e9let) <\/em>[Changing Concept of Art (Contemporary Francophone Art Theory], Kij\u00e1rat, Budapest, 2001,<\/p>\n A dobozba z\u00e1rt gondolat (Marcel Duchamp)<\/em> [Thought locked in the Box (Marcel Duchamp)] L\u2019Harmattan, Budapest, 2009.<\/p>\n <\/p>\n “Az \u00f3ri\u00e1splak\u00e1t mint konceptu\u00e1lis m\u0171v\u00e9szeti m\u0171faj (A konceptu\u00e1lis hagyom\u00e1ny \u00fajj\u00e1\u00e9led\u00e9se a kort\u00e1rs magyar fotogr\u00e1fi\u00e1ban)”, \u00daj m\u0171v\u00e9szet<\/em>, 2003 augusztus, 18-24.o.<\/p>\n \u201eReady-made, sz\u00f3j\u00e1t\u00e9k \u00e9s ironikus eszt\u00e9tikai \u00e9rt\u00e9k\u00edt\u00e9let\u201d, Jelenkor<\/em>, 2004, j\u00falius-augusztus, 793-807<\/p>\n Kapcsolatm\u0171v\u00e9szet<\/em>? ( N. Bourriaud Rel\u00e1ci\u00f3eszt\u00e9tika \u00e9s Ut\u00f3munk\u00e1latok c\u00edm\u0171 k\u00f6nyveihez : \u00c9let \u00e9s Irodalom<\/em> (2007 j\u00falius)<\/p>\n \u201eK\u00f6zelr\u0151l t\u00e1volra \u00e9s k\u00f6zelre: szem\u00e9lyes \u00e9s t\u00e1rsadalmi narrat\u00edv\u00e1k C. Sherman \u00e9s S. Calle konceptu\u00e1lis fotogr\u00e1fi\u00e1in\u201d c\u00edmmel, Magyar Lettre Inernationale<\/em>, 2008 ny\u00e1r, 25-27.o.<\/p>\n La charme indiscrete du neo-avantgarde hongrois<\/em>, , Chaiers d\u2019\u00c9tudes Hongroises<\/em>, n\/14, Tome I., Paris, L\u2019Harmattan, 2008, 347-353.o.<\/p>\n Thierry de Duve, Louis Marin, Georges Didi-Huberman, Jean-Luc Nancy, P.Bourdieu. H. Cixous.<\/p>\n Institute for Art Theory and Media Studies<\/p>\n Department of Media and Communication<\/p>\n E\u00f6tv\u00f6s Lor\u00e1nd University<\/p>\n Mail: M\u00fazeum krt. 6-8., 1088 Budapest, Hungary<\/p>\n E-mail: nhazas _at_ gmail com<\/p>\n","protected":false},"excerpt":{"rendered":" Assistant Professor Nikoletta H\u00e1zas received her MA at the University of P\u00e9cs (PTE BTK, Hungarian- English) and her DEA at Paris VII. (Denis Diderot, History and s\u00e9miology of images and texts). She has pursued a jointly supervised postgraduate studies at the University EHESS in Paris (Department of Theory and History of Art) and at ELTE…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-48","page","type-page","status-publish","hentry"],"acf":[],"builder_content":"","_links":{"self":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/48","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/comments?post=48"}],"version-history":[{"count":3,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/48\/revisions"}],"predecessor-version":[{"id":577,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/48\/revisions\/577"}],"up":[{"embeddable":true,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/6"}],"wp:attachment":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/media?parent=48"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Areas of Teaching\/ Courses Taught<\/strong><\/h4>\n
Selected Publications<\/strong><\/h4>\n
Books<\/strong><\/h4>\n
Articles<\/strong><\/h4>\n
Translations<\/strong><\/h4>\n
Contact Details<\/strong><\/h4>\n