{"id":183,"date":"2011-01-21T22:52:46","date_gmt":"2011-01-21T22:52:46","guid":{"rendered":"http:\/\/media.elte.hu\/en\/"},"modified":"2011-01-21T22:52:46","modified_gmt":"2011-01-21T22:52:46","slug":"technological-anthropology-from-clay-zikkurats-to-online-gaming-mcluhan-reloaded","status":"publish","type":"page","link":"https:\/\/media.elte.hu\/en\/study\/courses-ba\/technological-anthropology-from-clay-zikkurats-to-online-gaming-mcluhan-reloaded\/","title":{"rendered":"Technological Anthropology: From Clay Zikkurats to Online Gaming &#8211; McLuhan Reloaded"},"content":{"rendered":"<h4><strong>Course convenor<\/strong><\/h4>\n<p style=\"padding-left: 30px;\">Ferenc Hammer<\/p>\n<h4><strong>Course Content<\/strong><\/h4>\n<p style=\"padding-left: 30px;\">The course sets a modest goal: to assess certain social-technological inventions with the help of McLuhan\u2019s dictum \u201cThe medium is the message\u201d. Through the cultural analysis of Mumford\u2019s Mega-machine, the moveable print, the printed map as a commodity, the 19th century railway network, the Taylorist\/Fordist production system, the 20th century automobility, the everyday functionalism of the IKEA kind and time\/spaces of video\/computer games, the course will analyze how these cultural inventions have contributed to the reproduction and change of social relations in the West.<\/p>\n<p style=\"padding-left: 30px;\"><strong>1. Introductory presentation<\/strong><\/p>\n<p style=\"padding-left: 30px;\">\n<p style=\"padding-left: 30px;\"><strong>2. Technology: Basic terms. The medium is the message.<\/strong><\/p>\n<p style=\"padding-left: 30px;\">McLuhan, Marshall (1964) <em>Understanding Media.<\/em> New York: Signet Books. Online: <a href=\"http:\/\/www.scribd.com\/doc\/19843732\/Marshall-McLuhan-Understanding-Media\">http:\/\/www.scribd.com\/doc\/19843732\/Marshall-McLuhan-Understanding-Media<\/a> Chapters 1 and 12.<\/p>\n<p style=\"padding-left: 30px;\">\n<p style=\"padding-left: 30px;\"><strong>3. McLuhan\u2019s technological anthropology<\/strong><\/p>\n<p style=\"padding-left: 30px;\">McLuhan, Marshall &amp; Fiore, Quentin (1967) <em>The Medium is the Massage. An Inventory of Effects.<\/em><\/p>\n<p style=\"padding-left: 30px;\">\n<p style=\"padding-left: 30px;\"><strong>4. \u201eThe medium is the message\u201d: The case of the pyramid construction<\/strong><\/p>\n<p style=\"padding-left: 30px;\">Mumford, Lewis (1986) \u201aThe design of the Mega-Machine\u2018 In: <em>A g\u00e9p m\u00edtosza. <\/em>Budapest: Gondolat, pp. 45-64.<\/p>\n<p style=\"padding-left: 30px;\">\n<p style=\"padding-left: 30px;\"><strong>5. Movable print: New forms of text duplication <\/strong><\/p>\n<p style=\"padding-left: 30px;\">Eisenstein, Elizabeth (1993\/1983) <em>The Printing Revolution in Early Modern Europe.<\/em> Cambridge, Cambridge University Press,. pp. 42-91.<\/p>\n<p style=\"padding-left: 30px;\">\n<p style=\"padding-left: 30px;\"><strong>6. The politics of map making<\/strong><\/p>\n<p style=\"padding-left: 30px;\">Black, Jeremy (1997) <em>Maps and Politics.<\/em> London: Reaktion Books. pp. 29-58. http:\/\/www.wsu.edu\/~ericsson\/Black_Ch2.pdf<\/p>\n<p style=\"padding-left: 30px;\">\n<p style=\"padding-left: 30px;\"><strong>7. The messages of the railway infrastructure<\/strong><\/p>\n<p style=\"padding-left: 30px;\">Beniger, James (1986) <em>The Control Revolution. Technological and Economic Origins of the Information Society. <\/em>Cambridge, MA: Harvard  Univ. Press, 1986. pp. 219-237<\/p>\n<p style=\"padding-left: 30px;\">\n<p style=\"padding-left: 30px;\"><strong>8. Fordism, Taylorism and the assembly line <\/strong><\/p>\n<p style=\"padding-left: 30px;\">Jakobsen, Kjettil et al. (1998) \u2018Engineering Cultures: European Appropriations of Americanism.\u2019 In: Mikael Hard &amp; Andrew Jamison (eds.) <em>The Intellectual Appropriation of Technology: Discourses of Modernity, 1900-1939. <\/em>Cambridge, MA: The MIT Press, pp. 101-127.<\/p>\n<p style=\"padding-left: 30px;\">\n<p style=\"padding-left: 30px;\"><strong>9. The automobile as a medium<\/strong><\/p>\n<p style=\"padding-left: 30px;\">Urry, John (2004) \u2018The \u2018System\u2019 of Automobility\u2019. <span style=\"text-decoration: underline;\">Theory, Culture &amp; Society.<\/span> Vol. 21(4\/5): 25\u201339<\/p>\n<p style=\"padding-left: 30px;\">Barthes, R. (1957\/1983) \u2018Az \u00faj Citroen\u2019. In: Mitol\u00f3gi\u00e1k. Budapest: Eur\u00f3pa K\u00f6nyvkiad\u00f3, pp. 127-132.<\/p>\n<p style=\"padding-left: 30px;\">\n<p style=\"padding-left: 30px;\"><strong>10. IKEA: The grammar of functionalism and the Swedish Modern<\/strong><\/p>\n<p style=\"padding-left: 30px;\">Mumford, Lewis (1952\/1968) \u2018Symbol and Function in Architecture\u2019. In: Art &amp; Technics. New York &amp; London: Columbia University Press, pp. 111-135.<\/p>\n<p style=\"padding-left: 30px;\">\n<p style=\"padding-left: 30px;\"><strong>11. Identity and acting in time\/spaces of computer games<\/strong><\/p>\n<p style=\"padding-left: 30px;\">Consalvo, Mia (2003) \u201aZelda 64 and Video Game Fans. A Walkthrough of Games, Intertextuality, and Narrative.\u2019 <em>TELEVISION &amp; NEW MEDIA<\/em>, Vol. 4 No. 3,<strong> <\/strong><\/p>\n<p style=\"padding-left: 30px;\"><strong> <\/strong><\/p>\n<p style=\"padding-left: 30px;\">\n<p style=\"padding-left: 30px;\"><strong>12. Final test<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Course convenor Ferenc Hammer Course Content The course sets a modest goal: to assess certain social-technological inventions with the help of McLuhan\u2019s dictum \u201cThe medium is the message\u201d. Through the cultural analysis of Mumford\u2019s Mega-machine, the moveable print, the printed map as a commodity, the 19th century railway network, the Taylorist\/Fordist production system, the 20th&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":92,"menu_order":0,"comment_status":"open","ping_status":"open","template":"page-full.php","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-183","page","type-page","status-publish","hentry"],"acf":[],"builder_content":"","_links":{"self":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/comments?post=183"}],"version-history":[{"count":1,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/183\/revisions"}],"predecessor-version":[{"id":184,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/183\/revisions\/184"}],"up":[{"embeddable":true,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/92"}],"wp:attachment":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/media?parent=183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}