{"id":17,"date":"2011-01-21T12:47:20","date_gmt":"2011-01-21T12:47:20","guid":{"rendered":"http:\/\/media.elte.hu\/en\/"},"modified":"2019-06-10T19:42:35","modified_gmt":"2019-06-10T19:42:35","slug":"dr-andras-mullner","status":"publish","type":"page","link":"https:\/\/media.elte.hu\/en\/about-the-department\/faculty\/dr-andras-mullner\/","title":{"rendered":"Dr Andr\u00e1s M\u00fcllner"},"content":{"rendered":"

\"\"Associate Professor<\/strong><\/p>\n

Andr\u00e1s M\u00fcllner is associate professor holding a PhD in Literary Theory (2001). His main research interest is Hungarian neo-avant-garde art. Another of his main focuses is the theory of media, or more exactly, the ideology of media and communication, and their special connection to literature and philosophy respectively.<\/p>\n

\u00a0Professional Activities & Affiliations<\/strong><\/h4>\n

M\u00fcllner had been an assistant professor previously at the Department of Comparative Literature at University of Szeged until 2007, when he was invited at the Department of Media and Communication at ELTE, Budapest. Until recently he has been involved in several projects aimed at exploring the characteristics of the Hungarian neo-avant-garde. With the supports of different scholarships (CEEPUS, NKA, OTKA, Bolyai) he works on the ouvre of the Hungarian neo-avant-garde master figure, Mikl\u00f3s Erd\u00e9ly. He is the curator of Artpool Art Research Center.<\/p>\n

Areas of Teaching\/ Courses Taught<\/strong><\/h4>\n

Representation of\u00a0minorities<\/p>\n

Avantgarde, mediality, ideology criticism<\/p>\n

Media and performativity<\/p>\n

Areas of Supervision<\/strong><\/h4>\n

Media and communication studies, critical theory<\/p>\n

Selected Publications<\/strong><\/h4>\n

Lectures and papers in English<\/strong><\/p>\n

Andr\u00e1s M\u00fcllner \u2013 Andrea P\u00f3csik: (Re)Screening the Roma Subaltern. Post-Socialist Visuals of Roma life in Hungary under the socialist era, lecture at Screening Memories international conference, ELTE, 09\/20-22\/2014
\n<\/span><\/p>\n

Minority Representation in the Hungarian Cinema. Series of lectures at CEFET (Centro Federal de Educac\u00e3o Technol\u00f3gica de Minas Gerais, Belo Horizonte, Brasil), 10\/20-24\/2014
\n<\/span><\/p>\n

Representation of Jewish Minority in Hungarian Experimental Film under the Socialist Regime (Mikl\u00f3s Erd\u00e9ly: Version), Erasmus-lecture at Bilgi University (Istanbul, Turkey), 5\/21\/2014
\n<\/span><\/p>\n

Erste Patterns-workshop, Wien, 11\/15-17\/2013
\n<\/span><\/p>\n

\u201eBug collection\u201d. Articulations of terror in the Hungarian neo-avant-garde, Terror(ism) and Aesthetics Conference University of Szeged (September 22-23, 2011.) Forthcoming publication on the website of the conference: <\/span>www.etal.hu<\/a><\/p>\n

New Tribalism. Marshall McLuhan and the Oedipus-myth, \u201eMcLuhan Messages\u201d International Conference, ELTE University, 11-12th of November, 2011.<\/span><\/p>\n

Politics of Montage. Neo-Avant-Garde Traits in Hungarian Experimental Films, trans. D\u00e1niel S\u00edpos, English version of the Hungarian paper published in G\u00e1bor Gelencs\u00e9r (ed.): <\/span>BBS 50. A Bal\u00e1zs B\u00e9la St\u00fadi\u00f3 50 \u00e9ve<\/em> [BBS50. 50 Years of the BBS], M\u0171csarnok\u00a0 [Kunsthalle] -Bal\u00e1zs B\u00e9la St\u00fadi\u00f3, Budapest, 2009, 129-142.<\/span><\/p>\n

Films not Shot but Bloodied: “Material” Projections in Hungarian Experimental Films and Neoavantgarde Works, in \u00c1gnes Peth\u0151(ed.): <\/span>Words and Images on the Screen: Language, Literature and Moving Pictures<\/em>, Cambridge Scholars Publishing, 2008, 228-241.<\/span><\/p>\n

The Fiction of \u201eBare Life\u201d. How performatives function in Hungarian neo-avantgarde works of art, Documenta Magazines Online Journal \u00e9s documenta12 magazines, trans. D\u00e1niel S\u00edpos, URL: <\/span>http:\/\/exindex.hu\/print.php?l=en&page=3&id=450<\/a><\/p>\n

Mythical light and allegorical detachment in performance. A Mediterranean matter and a Hungarian performer – Tibor Hajas, in Ales Erjavec – Lev Kreft (eds.): <\/span>Imagination, Sensuality, Art<\/em>, Slovensko drustvo za estetico, Ljubljana, 2007, 136-139. (Proceedings of the III. Mediterranean Congress of Aesthetics, Protoroz, Slovenija, 20-23d September, 2006.)<\/span><\/p>\n

Dracula Embedded. Phantasmal Images of Blood Abuse in a Hungarian Experimental Film (Mikl\u00f3s Erd\u00e9ly: <\/span>Version<\/em>). (Unpublished version of the lecture \u201eImages as phantasms. The proceedings of a Hungarian experimental film in adaptation\u201d, \u201eCultures of Translation: Adaptation in Film and Performance\u201d Conference, University of Glamorgan, Cardiff, 26-28th of July, 2008)<\/span><\/p>\n

The first happening. The sketchy history of the Hungarian neo-avantgarde performance art (Unpublished English version of the Hungarian paper published in P\u00e1l Der\u00e9ky – Andr\u00e1s M\u00fcllner (eds.): <\/span>N\u00e9\/ma? Tanulm\u00e1nyok a magyar neoavantg\u00e1rd k\u00f6r\u00e9b\u0151l<\/em> [Numb. Esssays on the Hungarian Neo-avantgarde], R\u00e1ci\u00f3, 2004, 182-204.)<\/span><\/p>\n

Books<\/strong><\/p>\n

R\u00e1t\u00e9ved\u00e9sek<\/em> \u2013 a romantik\u00e1ban, a neoavantg\u00e1rdban \u00e9s m\u00e1s ter\u00fcleteken. (Fogarasi Gy\u00f6rggyel k\u00f6z\u00f6sen.) Ictus Kiad\u00f3 \u00e9s JATE Irodalomelm\u00e9let Csoport,Szeged, 1998.<\/p>\n

[Straying \u2013 in Romanticism, Neo-Avant-garde and other Places]\n

A cs\u00e1sz\u00e1r \u00faj ruh\u00e1ja. Essz\u00e9k a k\u00f6nyv \u00e9s a hipertext kapcsolat\u00e1r\u00f3l, valamint m\u00e1s m\u00e9diumokr\u00f3l<\/em>, J\u00f3sz\u00f6veg Kiad\u00f3,Budapest, 2007.<\/p>\n

[The Emperor\u2019s New Clothes. Essays on the Relationship between Book and Hypertext, and on Other Media]\n

M\u00fcllner\u2019s forthcoming books are on poetic and filmic ouvre of Mikl\u00f3s Erd\u00e9ly: Ellen\u00e1ll\u00e1s a t\u00f6rt\u00e9nelemnek (Resistance to History<\/em>) and Mont\u00e1zspolitika (Politics of Montage<\/em>).<\/p>\n

Editing<\/strong><\/p>\n

A v\u00e1ltoz\u00e1s kult\u00far\u00e1i. M\u0171v\u00e9szet, m\u00e9dia \u00e9s rendszerv\u00e1lt\u00e1s<\/em>, L\u2019Harmattan \u2013 E\u00f6tv\u00f6s Lor\u00e1nd Tudom\u00e1nyegyetem, M\u0171v\u00e9szetelm\u00e9leti \u00e9s M\u00e9diakutat\u00e1si Int\u00e9zet,Budapest, 2011.<\/p>\n

[Cultures of Change. Art, Media and System Change]\n

\u201eAllegorikus impulzusok\u201d, Enigma<\/em>, 2011, no. 66-67.<\/p>\n

[Allegorical Impulses \u2013 a selection with an Introduction and with a case study on Mikl\u00f3s Erd\u00e9ly]\n

Thematic issue on Mikl\u00f3s Erd\u00e9ly, Metropolis<\/em>, 2007\/4.<\/p>\n

N\u00e9\/ma?<\/em> Tanulm\u00e1nyok a magyar neoavantg\u00e1rd k\u00f6r\u00e9b\u0151l<\/em>. Co-editor: Der\u00e9ky P\u00e1l, R\u00e1ci\u00f3 Kiad\u00f3, 2004, internet: http:\/\/www.hik.hu\/tankonyvtar\/site\/books\/b157\/ch02s01.html<\/a><\/p>\n

[Mute? Papers on Hungarian Neo-Avant-Garde]\n

Papers<\/strong><\/p>\n

Saj\u00e1t hangja? http:\/\/apertura.hu\/2010\/osz\/tartalom<\/a><\/p>\n

[Own Voice?]\n

Mont\u00e1zspolitika. Neoavantg\u00e1rd nyomok magyar experiment\u00e1lis filmekben, in Gelencs\u00e9r G\u00e1bor (szerk.): BBS 50. A Bal\u00e1zs B\u00e9la St\u00fadi\u00f3 50 \u00e9ve<\/em>, M\u0171csarnok \u2013 Bal\u00e1zs B\u00e9la St\u00fadi\u00f3, 2009, 129-142.<\/p>\n

[Politics of Montage. Neo-Avant-Garde Traits in Hungarian Experimental Films, trans. by D\u00e1niel Sipos \u2013 forthcoming]\n

Films not Shot but Bloodied: \u201eMaterial\u201d Projections in Hungarian Experimental Films and Neoavantgarde Works, in \u00c1gnes Peth\u0151 (ed.): Words and Images on the Screen: Language, Literature and Moving Pictures<\/em>, Cambridge Scholars Publishing, 2008, 228-241.<\/p>\n

A filmes performativit\u00e1s. Erd\u00e9ly Mikl\u00f3s vet\u00edt\u00e9sei, Metropolis<\/em>, 2007\/4 (XI. \u00e9vf. 4. sz.), 24-44.<\/p>\n

[The Filmic Performativity. Projections by Mikl\u00f3s Erd\u00e9ly]\n

Mythical light and allegorical detachment in performance. A Mediterranean matter and a Hungarian performer \u2013 Tibor Hajas, in Ales Erjavec \u2013 Lev Kreft (eds.): Imagination, Sensuality, Art<\/em> (Proceedings of the III. Mediterranean Congress of Aesthetics, Protoroz, Slovenija, 20-23, September 2006.), Slovensko drustvo za estetico,Ljubljana, 2007, 136-139.<\/p>\n

Translations into Hungarian<\/strong><\/p>\n

Craig Owens: Az allegorikus impulzus. Egy posztmodern elm\u00e9let fel\u00e9 (1-2. r\u00e9sz), ford. M\u00fcllner Andr\u00e1s, Enigma<\/em>, 2011, no. 66-67.<\/p>\n

[The Allegorical Impulse. Toward a Theory of Postmodernism, part 1-2.]\n

Benjamin H.D. Buchloh: Allegorikus folyamatok. Kisaj\u00e1t\u00edt\u00e1s \u00e9s mont\u00e1zs a kort\u00e1rs m\u0171v\u00e9szetben, ford. M\u00fcllner Andr\u00e1s, Enigma<\/em>, 2011. no. 66.<\/p>\n

[Allegorical Procedures: Appropriation and Montage in Contemporary Art]\n

Andrew Parker – Eve Kosofsky Sedgwick: Performativit\u00e1s \u00e9s performancia, internet:<\/p>\n

http:\/\/apertura.hu\/2010\/osz\/tartalom<\/a><\/p>\n

[Performativity and Performance. An Introduction]\n

Peter Wollen: \u201eOntol\u00f3gia\u201d \u00e9s \u201ematerializmus\u201d a filmben, ford. M\u00fcllner Andr\u00e1s, Apert\u00fara<\/em> (Filmelm\u00e9leti \u00e9s filmt\u00f6rt\u00e9neti szakfoly\u00f3irat), 2010. tavasz; internet: http:\/\/apertura.hu\/2010\/tavasz\/wollen<\/a><\/p>\n

[\u201eOntology\u201d and \u201eMaterialism\u201d in Film]\n

Peter Wollen: A k\u00e9t avantg\u00e1rd, Apert\u00fara<\/em> filmelm\u00e9leti \u00e9s filmt\u00f6rt\u00e9neti szakfoly\u00f3irat, 2006. t\u00e9l (2. sz\u00e1m) http:\/\/www.apertura.hu\/2006\/tel\/wollen\/<\/a><\/p>\n

[The Two Avant-Gardes]\n

M\u00fcllner\u2019s short reviews can be read on the webpage of the Revizor and the Tranzitblog.<\/p>\n

Contact Details<\/strong><\/h4>\n

Institute for Art Theory and Media Studies<\/p>\n

Department of Communication and Media Studies
\nE\u00f6tv\u00f6s Lor\u00e1nd University
\nMail: M\u00fazeum krt. 6-8., 1088 Budapest, Hungary<\/p>\n

E-mail: mullner _at_\u00a0emc.elte.hu<\/p>\n

Phone: +36-1-411-65-58<\/p>\n

Personal website: http:\/\/emc.elte.hu\/mullner\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Associate Professor Andr\u00e1s M\u00fcllner is associate professor holding a PhD in Literary Theory (2001). His main research interest is Hungarian neo-avant-garde art. Another of his main focuses is the theory of media, or more exactly, the ideology of media and communication, and their special connection to literature and philosophy respectively. \u00a0Professional Activities & Affiliations M\u00fcllner…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-17","page","type-page","status-publish","hentry"],"acf":[],"builder_content":"","_links":{"self":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/17","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/comments?post=17"}],"version-history":[{"count":23,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/17\/revisions"}],"predecessor-version":[{"id":580,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/17\/revisions\/580"}],"up":[{"embeddable":true,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/6"}],"wp:attachment":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/media?parent=17"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}