{"id":105,"date":"2011-01-21T21:58:38","date_gmt":"2011-01-21T21:58:38","guid":{"rendered":"http:\/\/media.elte.hu\/en\/"},"modified":"2011-01-21T22:00:07","modified_gmt":"2011-01-21T22:00:07","slug":"art-history-the-hungarian-neoavantgarde-activity-1960-1980","status":"publish","type":"page","link":"https:\/\/media.elte.hu\/en\/study\/courses-ba\/art-history-the-hungarian-neoavantgarde-activity-1960-1980\/","title":{"rendered":"Art history. The Hungarian Neoavantgarde Activity (1960-1980)"},"content":{"rendered":"<h4><strong>Course convenor<\/strong><\/h4>\n<p style=\"padding-left: 30px;\">Andr\u00e1s M\u00fcllner<\/p>\n<h4><strong>Course content<\/strong><\/h4>\n<p style=\"padding-left: 30px;\">The course familiarizes students with the key aspects of the Hungarian Neoavantgarde. Throughout the course students will discuss different kinds of artwork, including photos, installations, performances and films. Special attention will be devoted to Hungarian experimental films such as <em>Version<\/em> by Mikl\u00f3s Erd\u00e9ly and <em>Self-Fashion-Show<\/em> by Tibor Hajas. The former is an adaptation from a documentary novel on the last blood libel in Europe, while the latter is a quasi-documentary from 1976, Budapest.<\/p>\n<h4><strong>Indicative reading<\/strong><\/h4>\n<p style=\"padding-left: 30px;\">Peter Wollen: \u201eOntology\u201d and \u201eMaterialism\u201d in Film, in P.W.: <em>Readings<\/em><em> and Writings. Semiotic Counter-Strategies<\/em>, London, Verso, 1982, 189-207.<\/p>\n<p style=\"padding-left: 30px;\">Mikl\u00f3s Erd\u00e9ly: <em>Version<\/em> (a film with English subtitles)<\/p>\n<p style=\"padding-left: 30px;\">Andr\u00e1s M\u00fcllner: Images as Phantasms (document)<\/p>\n<p style=\"padding-left: 30px;\">Tibor Hajas: <em>Self-Fashion-Show<\/em> (a film with English subtitles)<\/p>\n<p style=\"padding-left: 30px;\">Andr\u00e1s M\u00fcllner: <a href=\"http:\/\/magazines.documenta.de\/frontend\/article.php?IdLanguage=1&amp;NrArticle=1614\">The Fiction of \u2018Bare Life\u2019. How performatives function in Hungarian neo-avantgarde works of art, <em>Documenta Magazines Online Journal<\/em><\/a>; see <a href=\"http:\/\/magazines.documenta.de\/frontend\/article.php?IdLanguage=1&amp;NrArticle=1614\">http:\/\/magazines.documenta.de\/frontend\/article.php?IdLanguage=1&amp;NrArticle=1614<\/a><\/p>\n<p style=\"padding-left: 30px;\">Andr\u00e1s M\u00fcllner: <a href=\"http:\/\/www.c-s-p.org\/Flyers\/Word-and-Images--Language-Literature-Moving-Pictures1-84718-843-5.htm\">Films not Shot but Bloodied: \u201eMaterial\u201d Projections in Hungarian Experimental Films and Neoavantgarde Works, in \u00c1gnes Peth\u0151 (ed.): <em>Words and Images on the Screen: Language, Literature and Moving Pictures<\/em>, Cambridge Scholars Publishing, 2008, 228-241.<\/a> (document)<\/p>\n<p style=\"padding-left: 30px;\"><em>Mikl\u00f3s Erd\u00e9ly<\/em> (catalogue), Georg Kargl Fine Arts, Wien \u2013 Kisterem, Budapest \u2013 tranzit.hu, Budapest \u2013 Mikl\u00f3s Erd\u00e9ly Foundation (EMA), Budapest (document)<\/p>\n<p style=\"padding-left: 30px;\"><em> Hajas Tibor 1946 \u2013 1980<\/em>, magyar m\u0171hely \u2013 d\u2019atelier \u2013 paris, 1985.<\/p>\n<p style=\"padding-left: 30px;\"><em> Hajas Tibor 1946 \u2013 1980<\/em> (Eml\u00e9kki\u00e1ll\u00edt\u00e1s), Ernst M\u00fazeum, Budapest, 1997. [Tibor Hajas 1946 \u2013 1980, Memorial Exhibiton, Ernst Museum, Budapest, 1997.]\n<p style=\"padding-left: 30px;\"><em>Tibor Hajas:<\/em> <em>K\u00e9nyszerlesz\u00e1ll\u00e1s<\/em>, Ludwig M\u00fazeum Kort\u00e1rs M\u0171v\u00e9szetek M\u00fazeuma, 2005. j\u00fanius 16 \u2013 szeptember 4. [Tibor Hajas: Emergency Landing, Museum  of Contemporary Art, 16 June \u2013 4 September, 2005]\n","protected":false},"excerpt":{"rendered":"<p>Course convenor Andr\u00e1s M\u00fcllner Course content The course familiarizes students with the key aspects of the Hungarian Neoavantgarde. Throughout the course students will discuss different kinds of artwork, including photos, installations, performances and films. Special attention will be devoted to Hungarian experimental films such as Version by Mikl\u00f3s Erd\u00e9ly and Self-Fashion-Show by Tibor Hajas. The&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":92,"menu_order":0,"comment_status":"open","ping_status":"open","template":"page-full.php","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-105","page","type-page","status-publish","hentry"],"acf":[],"builder_content":"","_links":{"self":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/comments?post=105"}],"version-history":[{"count":3,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/105\/revisions"}],"predecessor-version":[{"id":109,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/105\/revisions\/109"}],"up":[{"embeddable":true,"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/pages\/92"}],"wp:attachment":[{"href":"https:\/\/media.elte.hu\/en\/wp-json\/wp\/v2\/media?parent=105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}